Suraya Mohamed | September 8, 2023
Hiromi arrived at NPR wearing comfortable sweats, her chic hair already styled and perfectly coiffed for the performance. A keyboard gig bag was strapped on her back with her Nord Lead A1 analog modeling synthesizer, a versatile instrument loaded with her programmed patches. Its buzzy, modular sound started the show with a funky melodic line that sets up this highly energetic and joyful set.

Just before this performance, she and her band “Hiromi’s Sonicwonder” had just finished recording their soon to be released new album, Sonicwonderland. They perform two songs from that project here, and each one is its own auditory adventure, filled with sophisticated arrangements and lush textures. Adam O’Farrill’s trumpet playing is exquisite, as he sometimes routes his horn sound through pedals to create an ethereal tone. Hadrien Feraud thumps his bass lines with precision and grit as he locks in really tight with Gene Coye’s crisp and momentous drum performance.

You can see how much fun Hiromi is having here, her beautiful smile beams as she rips her small but strong hands up and down multiple keyboards. She moves seamlessly between the three instruments, sometimes standing, sometimes sitting, sometimes dancing — always breathtaking. Her whole body generates an observable power that’s also playful and virtuosic. She plays with great command but yet she is also at ease, as her notes ripple from her fingertips like streams of water.

SET LIST
“Sonicwonderland”
“Wanted”

MUSICIANS
“Hiromi’s Sonicwonder”
Hiromi Uehara: piano, keys
Adam O’Farrill: trumpet
Gene Coye: drums
Hadrien Feraud: bass

TINY DESK TEAM
Producer: Suraya Mohamed
Director/Editor: Maia Stern
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Series Producer: Bobby Carter
Videographers: Maia Stern, Alanté Serene, Joshua Bryant
Audio Assistant: Kwesi Lee
Production Assistant: Ashley Pointer
Photographer: Catie Dull
Tiny Desk Team: Kara Frame, Hazel Cills
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#hiromi #nprmusic #tinydesk

27 Comments

  1. I hope many more people can find out about Hiromi Uehara through this! She has been insanely good for so long but still every time i watch her performing she has that smile on her face. Love her!

  2. And of course, again, her musicians cannot stop looking at her while she plays…. every band she's had it has been the same… I love her.

  3. the best thing about her is how after finishing the first song, she immediately points to the rest of the musicians. She knows people are here for her, but she's here to have fun, and everyone including the other band members deserve attention 🙂
    they all did a PHENOMENAL JOB, like seriously. Insane.

  4. Again,…thank you Tiny Desk for bringing the best of the world's music to us! I, like many, first saw Hiromi's Canon in D on YT, which was just, umm, Phantasmagorical?! This is completely different, but still spectacular! Most modern jazz gets too inside its own head. In theory, it's brilliant, but who the heck knows? To be forward and accessible is a true Jazz talent. That trumpet player has some serious nuance! (My fave Disney soundtrack is still The Jungle Book.😅) Hiromi, for being amazing…. Domo!💕 (Umm… How the heck did they get a baby grand behind the Tiny Desk?!🤔😄)

  5. Genial!!! En Argentina,los que tenemos ya unos añitos decimos (decíamos…) que alguien muy bueno en lo suyo es "copado" ,término que tambien se utilizaba cuando se notaba que uno o alguien mas,estaba muy entusiasmado con lo que hacá,abstracción que nace del entusiasmo y el amor por lo que estás desarrollando,en el área que sea.Cuando Hiromi se "copa" transmite esa energía al que la escucha y la ve…Maravillosa interpretación con excelencia musical por parte de todos! Gracias!

  6. I said, "tiny desk, give me some dopamine" and this video jumped to the top of my suggested tiny desk videos. 100% exactly what i needed. Im not a huge jazz fan, but i might now be a huge Hiromi fan. Thank you for this, tiny desk

  7. I wonder if they spent much time learning their instruments and writing or if it’s just putting together samples that makes musical journeys like this so mystifying and entertaining and informative and mood inducing and inspiring and hanging on the and off the and wholly indifferent of any edge’s anywhere. That’s what I wonder.

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